WEBVTT
Kind: captions
Language: en-US

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>> Ken: A PI                    

00:00:04.270 --> 00:00:04.537 line:78% align:center
>> Ken: A PIECE OF WORK BY T    

00:00:04.537 --> 00:00:04.804 line:78% align:center
>> Ken: A PIECE OF WORK BY THE  

00:00:04.804 --> 00:00:05.071 line:72% align:center
>> Ken: A PIECE OF WORK BY THE  
NOTORIO                         

00:00:05.071 --> 00:00:05.338 line:72% align:center
>> Ken: A PIECE OF WORK BY THE  
NOTORIOUSLY PRIVATE B           

00:00:05.338 --> 00:00:05.605 line:72% align:center
>> Ken: A PIECE OF WORK BY THE  
NOTORIOUSLY PRIVATE BRITISH     

00:00:05.605 --> 00:00:05.872 line:72% align:center
>> Ken: A PIECE OF WORK BY THE  
NOTORIOUSLY PRIVATE BRITISH     

00:00:05.872 --> 00:00:06.139 line:72% align:center
>> Ken: A PIECE OF WORK BY THE  
NOTORIOUSLY PRIVATE BRITISH     

00:00:06.139 --> 00:00:06.406 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     

00:00:06.406 --> 00:00:06.673 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI                        

00:00:06.673 --> 00:00:06.940 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI A                      

00:00:06.940 --> 00:00:07.207 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BA              

00:00:07.207 --> 00:00:07.474 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS     

00:00:07.474 --> 00:00:07.741 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS     

00:00:07.741 --> 00:00:08.008 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS     

00:00:08.008 --> 00:00:08.274 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS     

00:00:08.274 --> 00:00:08.541 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS     

00:00:08.541 --> 00:00:08.808 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS     

00:00:08.808 --> 00:00:09.075 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS A   

00:00:09.075 --> 00:00:09.342 line:72% align:center
NOTORIOUSLY PRIVATE BRITISH     
GRAFFITI ARTIST BAG "C" HAS A   

00:00:09.342 --> 00:00:09.609 line:72% align:center
GRAFFITI ARTIST BAG "C" HAS A   

00:00:09.609 --> 00:00:09.876 line:72% align:center
GRAFFITI ARTIST BAG "C" HAS A   
NEW HOMETOWN                    

00:00:09.876 --> 00:00:10.143 line:72% align:center
NEW HOMETOWN.                   

00:00:10.143 --> 00:00:10.410 line:72% align:center
NEW HOMETOWN.                   
>> Michelle:                    

00:00:10.410 --> 00:00:10.677 line:72% align:center
NEW HOMETOWN.                   
>> Michelle: CTV'S SCOTT        

00:00:10.677 --> 00:00:10.944 line:72% align:center
>> Michelle: CTV'S SCOTT        
LIGH                            

00:00:10.944 --> 00:00:11.211 line:72% align:center
>> Michelle: CTV'S SCOTT        
LIGHTFOOT HAS THE               

00:00:11.211 --> 00:00:11.478 line:72% align:center
>> Michelle: CTV'S SCOTT        
LIGHTFOOT HAS THE STORY.        

00:00:11.478 --> 00:00:11.745 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>>                              

00:00:11.745 --> 00:00:12.012 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A                  

00:00:12.012 --> 00:00:12.278 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:12.278 --> 00:00:12.545 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:12.545 --> 00:00:12.812 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:12.812 --> 00:00:13.079 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:13.079 --> 00:00:13.346 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:13.346 --> 00:00:13.613 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:13.613 --> 00:00:13.880 line:72% align:center
LIGHTFOOT HAS THE STORY.        
>> Reporter: A PIECE OF         

00:00:13.880 --> 00:00:14.147 line:72% align:center
>> Reporter: A PIECE OF         
PRIC                            

00:00:14.147 --> 00:00:14.414 line:72% align:center
>> Reporter: A PIECE OF         
PRICELESS OUTDOOR               

00:00:14.414 --> 00:00:14.681 line:72% align:center
>> Reporter: A PIECE OF         
PRICELESS OUTDOOR ART NOW       

00:00:14.681 --> 00:00:14.948 line:72% align:center
>> Reporter: A PIECE OF         
PRICELESS OUTDOOR ART NOW       

00:00:14.948 --> 00:00:15.215 line:72% align:center
>> Reporter: A PIECE OF         
PRICELESS OUTDOOR ART NOW HAS   

00:00:15.215 --> 00:00:15.482 line:72% align:center
>> Reporter: A PIECE OF         
PRICELESS OUTDOOR ART NOW HAS A 

00:00:15.482 --> 00:00:15.749 line:72% align:center
>> Reporter: A PIECE OF         
PRICELESS OUTDOOR ART NOW HAS A 

00:00:15.749 --> 00:00:16.016 line:72% align:center
PRICELESS OUTDOOR ART NOW HAS A 
NEW                             

00:00:16.016 --> 00:00:16.282 line:72% align:center
PRICELESS OUTDOOR ART NOW HAS A 
NEW HOME.                       

00:00:16.282 --> 00:00:16.549 line:72% align:center
PRICELESS OUTDOOR ART NOW HAS A 
NEW HOME.                       

00:00:16.549 --> 00:00:16.816 line:72% align:center
PRICELESS OUTDOOR ART NOW HAS A 
NEW HOME.                       

00:00:16.816 --> 00:00:17.083 line:72% align:center
NEW HOME.                       
I                               

00:00:17.083 --> 00:00:17.350 line:72% align:center
NEW HOME.                       
INDOORS IN                      

00:00:17.350 --> 00:00:17.617 line:72% align:center
NEW HOME.                       
INDOORS IN THE PAT              

00:00:17.617 --> 00:00:17.884 line:72% align:center
NEW HOME.                       
INDOORS IN THE PATH             

00:00:17.884 --> 00:00:18.151 line:72% align:center
NEW HOME.                       
INDOORS IN THE PATH SYSTE       

00:00:18.151 --> 00:00:18.418 line:72% align:center
INDOORS IN THE PATH SYSTEM.     

00:00:18.418 --> 00:00:18.685 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:18.685 --> 00:00:18.952 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:18.952 --> 00:00:19.219 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:19.219 --> 00:00:19.486 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:19.486 --> 00:00:19.753 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:19.753 --> 00:00:20.020 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:20.020 --> 00:00:20.286 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:20.286 --> 00:00:20.553 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE                           

00:00:20.553 --> 00:00:20.820 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE HAV                       

00:00:20.820 --> 00:00:21.087 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE HAVE 2½ TON               

00:00:21.087 --> 00:00:21.354 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE HAVE 2½ TONNES OF CO      

00:00:21.354 --> 00:00:21.621 line:72% align:center
INDOORS IN THE PATH SYSTEM.     
>> WE HAVE 2½ TONNES OF CONCRETE

00:00:21.621 --> 00:00:21.888 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE

00:00:21.888 --> 00:00:22.155 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE
BEHIND                          

00:00:22.155 --> 00:00:22.422 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE
BEHIND                          

00:00:22.422 --> 00:00:22.689 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE
BEHIND ANO                      

00:00:22.689 --> 00:00:22.956 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE
BEHIND ANOTHER 1½ T             

00:00:22.956 --> 00:00:23.223 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE
BEHIND ANOTHER 1½ TONNES OF     

00:00:23.223 --> 00:00:23.490 line:72% align:center
>> WE HAVE 2½ TONNES OF CONCRETE
BEHIND ANOTHER 1½ TONNES OF     

00:00:23.490 --> 00:00:23.757 line:72% align:center
BEHIND ANOTHER 1½ TONNES OF     
GLASS.                          

00:00:23.757 --> 00:00:24.024 line:72% align:center
GLASS.                          
>> R                            

00:00:24.024 --> 00:00:24.290 line:72% align:center
GLASS.                          
>> Reporter:                    

00:00:24.290 --> 00:00:24.557 line:72% align:center
GLASS.                          
>> Reporter: REFER              

00:00:24.557 --> 00:00:24.824 line:72% align:center
GLASS.                          
>> Reporter: REFERRED TO AS     

00:00:24.824 --> 00:00:25.091 line:72% align:center
GLASS.                          
>> Reporter: REFERRED TO AS     

00:00:25.091 --> 00:00:25.358 line:72% align:center
GLASS.                          
>> Reporter: REFERRED TO AS     

00:00:25.358 --> 00:00:25.625 line:72% align:center
GLASS.                          
>> Reporter: REFERRED TO AS     

00:00:25.625 --> 00:00:25.892 line:72% align:center
GLASS.                          
>> Reporter: REFERRED TO AS     

00:00:25.892 --> 00:00:26.159 line:72% align:center
>> Reporter: REFERRED TO AS     

00:00:26.159 --> 00:00:26.426 line:72% align:center
>> Reporter: REFERRED TO AS     
POLICE GUARD                    

00:00:26.426 --> 00:00:26.693 line:72% align:center
>> Reporter: REFERRED TO AS     
POLICE GUARD PINK BALLOON       

00:00:26.693 --> 00:00:26.960 line:72% align:center
POLICE GUARD PINK BALLOON DOG,  

00:00:26.960 --> 00:00:27.227 line:72% align:center
POLICE GUARD PINK BALLOON DOG,  
IT'S A PIECE                    

00:00:27.227 --> 00:00:27.494 line:72% align:center
POLICE GUARD PINK BALLOON DOG,  
IT'S A PIECE BY T               

00:00:27.494 --> 00:00:27.761 line:72% align:center
POLICE GUARD PINK BALLOON DOG,  
IT'S A PIECE BY THE FA          

00:00:27.761 --> 00:00:28.028 line:72% align:center
POLICE GUARD PINK BALLOON DOG,  
IT'S A PIECE BY THE FAMOUS      

00:00:28.028 --> 00:00:28.294 line:72% align:center
POLICE GUARD PINK BALLOON DOG,  
IT'S A PIECE BY THE FAMOUS      

00:00:28.294 --> 00:00:28.561 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BR                              

00:00:28.561 --> 00:00:28.828 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAF                    

00:00:28.828 --> 00:00:29.095 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI                

00:00:29.095 --> 00:00:29.362 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI                

00:00:29.362 --> 00:00:29.629 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI                

00:00:29.629 --> 00:00:29.896 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI                

00:00:29.896 --> 00:00:30.163 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI                

00:00:30.163 --> 00:00:30.430 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI                

00:00:30.430 --> 00:00:30.697 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIS          

00:00:30.697 --> 00:00:30.964 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:30.964 --> 00:00:31.231 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:31.231 --> 00:00:31.498 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:31.498 --> 00:00:31.765 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:31.765 --> 00:00:32.032 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:32.032 --> 00:00:32.298 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:32.298 --> 00:00:32.565 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:32.565 --> 00:00:32.832 line:72% align:center
IT'S A PIECE BY THE FAMOUS      
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:32.832 --> 00:00:33.099 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 

00:00:33.099 --> 00:00:33.366 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010                         

00:00:33.366 --> 00:00:33.633 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE                   

00:00:33.633 --> 00:00:33.900 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE                   

00:00:33.900 --> 00:00:34.167 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE                   

00:00:34.167 --> 00:00:34.434 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE BAN               

00:00:34.434 --> 00:00:34.701 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE BANKSY WA         

00:00:34.701 --> 00:00:34.968 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE BANKSY WAS IN T   

00:00:34.968 --> 00:00:35.235 line:72% align:center
BRITISH GRAFFITI ARTIST BANKSY. 
IN 2010 WHILE BANKSY WAS IN TOWN

00:00:35.235 --> 00:00:35.502 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOT                          

00:00:35.502 --> 00:00:35.769 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING                       

00:00:35.769 --> 00:00:36.036 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING                       

00:00:36.036 --> 00:00:36.302 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING A FI                  

00:00:36.302 --> 00:00:36.569 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING A FILM HE             

00:00:36.569 --> 00:00:36.836 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING A FILM HE LEFT        

00:00:36.836 --> 00:00:37.103 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING A FILM HE LEFT IT O   

00:00:37.103 --> 00:00:37.370 line:72% align:center
IN 2010 WHILE BANKSY WAS IN TOWN
PROMOTING A FILM HE LEFT IT ON  

00:00:37.370 --> 00:00:37.637 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  

00:00:37.637 --> 00:00:37.904 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE                             

00:00:37.904 --> 00:00:38.171 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE                             

00:00:38.171 --> 00:00:38.438 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE EXTE                        

00:00:38.438 --> 00:00:38.705 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE EXTERIOR OF                 

00:00:38.705 --> 00:00:38.972 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE EXTERIOR OF WHAT            

00:00:38.972 --> 00:00:39.239 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE EXTERIOR OF WHAT USED       

00:00:39.239 --> 00:00:39.506 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE EXTERIOR OF WHAT USED TO    

00:00:39.506 --> 00:00:39.773 line:72% align:center
PROMOTING A FILM HE LEFT IT ON  
THE EXTERIOR OF WHAT USED TO BE 

00:00:39.773 --> 00:00:40.040 line:72% align:center
THE EXTERIOR OF WHAT USED TO BE 

00:00:40.040 --> 00:00:40.306 line:72% align:center
THE EXTERIOR OF WHAT USED TO BE 
THE O.P                         

00:00:40.306 --> 00:00:40.573 line:72% align:center
THE EXTERIOR OF WHAT USED TO BE 
THE O.P.P. BUILDING             

00:00:40.573 --> 00:00:40.840 line:72% align:center
THE EXTERIOR OF WHAT USED TO BE 
THE O.P.P. BUILDING ON HARB     

00:00:40.840 --> 00:00:41.107 line:72% align:center
THE EXTERIOR OF WHAT USED TO BE 
THE O.P.P. BUILDING ON HARBOUR  

00:00:41.107 --> 00:00:41.374 line:72% align:center
THE O.P.P. BUILDING ON HARBOUR  
STR                             

00:00:41.374 --> 00:00:41.641 line:72% align:center
STREET.                         

00:00:41.641 --> 00:00:41.908 line:72% align:center
STREET.                         
THE B                           

00:00:41.908 --> 00:00:42.175 line:72% align:center
STREET.                         
THE BUILDING                    

00:00:42.175 --> 00:00:42.442 line:72% align:center
STREET.                         
THE BUILDING WAS TORN           

00:00:42.442 --> 00:00:42.709 line:72% align:center
STREET.                         
THE BUILDING WAS TORN DOWN, BUT 

00:00:42.709 --> 00:00:42.976 line:72% align:center
THE BUILDING WAS TORN DOWN, BUT 
A SECTI                         

00:00:42.976 --> 00:00:43.243 line:72% align:center
THE BUILDING WAS TORN DOWN, BUT 
A SECTION OF THE WA             

00:00:43.243 --> 00:00:43.510 line:72% align:center
THE BUILDING WAS TORN DOWN, BUT 
A SECTION OF THE WALL, WITH     

00:00:43.510 --> 00:00:43.777 line:72% align:center
THE BUILDING WAS TORN DOWN, BUT 
A SECTION OF THE WALL, WITH THE 

00:00:43.777 --> 00:00:44.044 line:72% align:center
THE BUILDING WAS TORN DOWN, BUT 
A SECTION OF THE WALL, WITH THE 

00:00:44.044 --> 00:00:44.310 line:72% align:center
THE BUILDING WAS TORN DOWN, BUT 
A SECTION OF THE WALL, WITH THE 

00:00:44.310 --> 00:00:44.577 line:72% align:center
A SECTION OF THE WALL, WITH THE 
ART, W                          

00:00:44.577 --> 00:00:44.844 line:72% align:center
A SECTION OF THE WALL, WITH THE 
ART, WAS                        

00:00:44.844 --> 00:00:45.111 line:72% align:center
A SECTION OF THE WALL, WITH THE 
ART, WAS SAVED.                 

00:00:45.111 --> 00:00:45.378 line:72% align:center
ART, WAS SAVED.                 

00:00:45.378 --> 00:00:45.645 line:72% align:center
ART, WAS SAVED.                 
>> IT WA                        

00:00:45.645 --> 00:00:45.912 line:72% align:center
ART, WAS SAVED.                 
>> IT WAS ON                    

00:00:45.912 --> 00:00:46.179 line:72% align:center
ART, WAS SAVED.                 
>> IT WAS ON THE                

00:00:46.179 --> 00:00:46.446 line:72% align:center
ART, WAS SAVED.                 
>> IT WAS ON THE SITE           

00:00:46.446 --> 00:00:46.713 line:72% align:center
ART, WAS SAVED.                 
>> IT WAS ON THE SITE HERE      

00:00:46.713 --> 00:00:46.980 line:72% align:center
ART, WAS SAVED.                 
>> IT WAS ON THE SITE HERE      

00:00:46.980 --> 00:00:47.247 line:72% align:center
>> IT WAS ON THE SITE HERE      
B                               

00:00:47.247 --> 00:00:47.514 line:72% align:center
>> IT WAS ON THE SITE HERE      
BEFORE, AND WE                  

00:00:47.514 --> 00:00:47.781 line:72% align:center
>> IT WAS ON THE SITE HERE      
BEFORE, AND WE FELT             

00:00:47.781 --> 00:00:48.048 line:72% align:center
>> IT WAS ON THE SITE HERE      
BEFORE, AND WE FELT TH          

00:00:48.048 --> 00:00:48.314 line:72% align:center
>> IT WAS ON THE SITE HERE      
BEFORE, AND WE FELT THAT WHY    

00:00:48.314 --> 00:00:48.581 line:72% align:center
>> IT WAS ON THE SITE HERE      
BEFORE, AND WE FELT THAT WHY NOT

00:00:48.581 --> 00:00:48.848 line:72% align:center
BEFORE, AND WE FELT THAT WHY NOT

00:00:48.848 --> 00:00:49.115 line:72% align:center
BEFORE, AND WE FELT THAT WHY NOT
PUT IT BA                       

00:00:49.115 --> 00:00:49.382 line:72% align:center
BEFORE, AND WE FELT THAT WHY NOT
PUT IT BACK.                    

00:00:49.382 --> 00:00:49.649 line:72% align:center
PUT IT BACK.                    
THIS IS                         

00:00:49.649 --> 00:00:49.916 line:72% align:center
PUT IT BACK.                    
THIS IS                         

00:00:49.916 --> 00:00:50.183 line:72% align:center
PUT IT BACK.                    
THIS IS                         

00:00:50.183 --> 00:00:50.450 line:72% align:center
PUT IT BACK.                    
THIS IS LITE                    

00:00:50.450 --> 00:00:50.717 line:72% align:center
PUT IT BACK.                    
THIS IS LITERALLY W             

00:00:50.717 --> 00:00:50.984 line:72% align:center
PUT IT BACK.                    
THIS IS LITERALLY WHERE IT      

00:00:50.984 --> 00:00:51.251 line:72% align:center
PUT IT BACK.                    
THIS IS LITERALLY WHERE IT WAS  

00:00:51.251 --> 00:00:51.518 line:72% align:center
PUT IT BACK.                    
THIS IS LITERALLY WHERE IT WAS  

00:00:51.518 --> 00:00:51.785 line:72% align:center
THIS IS LITERALLY WHERE IT WAS  
BE                              

00:00:51.785 --> 00:00:52.052 line:72% align:center
BEFORE.                         

00:00:52.052 --> 00:00:52.318 line:72% align:center
BEFORE.                         
>> Reporter:                    

00:00:52.318 --> 00:00:52.585 line:72% align:center
BEFORE.                         
>> Reporter: GETTING THE P      

00:00:52.585 --> 00:00:52.852 line:72% align:center
BEFORE.                         
>> Reporter: GETTING THE PIECE  

00:00:52.852 --> 00:00:53.119 line:72% align:center
BEFORE.                         
>> Reporter: GETTING THE PIECE  

00:00:53.119 --> 00:00:53.386 line:72% align:center
>> Reporter: GETTING THE PIECE  

00:00:53.386 --> 00:00:53.653 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK S                     

00:00:53.653 --> 00:00:53.920 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL               

00:00:53.920 --> 00:00:54.187 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL               

00:00:54.187 --> 00:00:54.454 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL               

00:00:54.454 --> 00:00:54.721 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL Y             

00:00:54.721 --> 00:00:54.988 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL YEARS         

00:00:54.988 --> 00:00:55.255 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL YEARS AND     

00:00:55.255 --> 00:00:55.522 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL YEARS AND     

00:00:55.522 --> 00:00:55.789 line:72% align:center
>> Reporter: GETTING THE PIECE  
HERE TOOK SEVERAL YEARS AND     

00:00:55.789 --> 00:00:56.056 line:72% align:center
HERE TOOK SEVERAL YEARS AND     
SEV                             

00:00:56.056 --> 00:00:56.322 line:72% align:center
HERE TOOK SEVERAL YEARS AND     
SEVERAL THOUSAND                

00:00:56.322 --> 00:00:56.589 line:72% align:center
SEVERAL THOUSAND DOLLARS.       

00:00:56.589 --> 00:00:56.856 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE                      

00:00:56.856 --> 00:00:57.123 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT O                 

00:00:57.123 --> 00:00:57.390 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE               

00:00:57.390 --> 00:00:57.657 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE PO            

00:00:57.657 --> 00:00:57.924 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:57.924 --> 00:00:58.191 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:58.191 --> 00:00:58.458 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:58.458 --> 00:00:58.725 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:58.725 --> 00:00:58.992 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:58.992 --> 00:00:59.259 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:59.259 --> 00:00:59.526 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:59.526 --> 00:00:59.793 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:00:59.793 --> 00:01:00.060 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:01:00.060 --> 00:01:00.326 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT         

00:01:00.326 --> 00:01:00.593 line:72% align:center
SEVERAL THOUSAND DOLLARS.       
THERE WERE AT ONE POINT SEVEN   

00:01:00.593 --> 00:01:00.860 line:72% align:center
THERE WERE AT ONE POINT SEVEN   

00:01:00.860 --> 00:01:01.127 line:72% align:center
THERE WERE AT ONE POINT SEVEN   
BANKSY PIECES                   

00:01:01.127 --> 00:01:01.394 line:72% align:center
THERE WERE AT ONE POINT SEVEN   
BANKSY PIECES                   

00:01:01.394 --> 00:01:01.661 line:72% align:center
THERE WERE AT ONE POINT SEVEN   
BANKSY PIECES S                 

00:01:01.661 --> 00:01:01.928 line:72% align:center
THERE WERE AT ONE POINT SEVEN   
BANKSY PIECES SCATTERED         

00:01:01.928 --> 00:01:02.195 line:72% align:center
THERE WERE AT ONE POINT SEVEN   
BANKSY PIECES SCATTERED ACROS   

00:01:02.195 --> 00:01:02.462 line:72% align:center
THERE WERE AT ONE POINT SEVEN   
BANKSY PIECES SCATTERED ACROSS  

00:01:02.462 --> 00:01:02.729 line:72% align:center
BANKSY PIECES SCATTERED ACROSS  
THE                             

00:01:02.729 --> 00:01:02.996 line:72% align:center
BANKSY PIECES SCATTERED ACROSS  
THE                             

00:01:02.996 --> 00:01:03.263 line:72% align:center
BANKSY PIECES SCATTERED ACROSS  
THE CITY                        

00:01:03.263 --> 00:01:03.530 line:72% align:center
BANKSY PIECES SCATTERED ACROSS  
THE CITY.                       

00:01:03.530 --> 00:01:03.797 line:72% align:center
THE CITY.                       

00:01:03.797 --> 00:01:04.064 line:72% align:center
THE CITY.                       
ALL BUT T                       

00:01:04.064 --> 00:01:04.330 line:72% align:center
THE CITY.                       
ALL BUT TWO                     

00:01:04.330 --> 00:01:04.597 line:72% align:center
THE CITY.                       
ALL BUT TWO HAVE BEEN           

00:01:04.597 --> 00:01:04.864 line:72% align:center
THE CITY.                       
ALL BUT TWO HAVE BEEN           

00:01:04.864 --> 00:01:05.131 line:72% align:center
THE CITY.                       
ALL BUT TWO HAVE BEEN DESTR     

00:01:05.131 --> 00:01:05.398 line:72% align:center
THE CITY.                       
ALL BUT TWO HAVE BEEN DESTROYED 

00:01:05.398 --> 00:01:05.665 line:72% align:center
ALL BUT TWO HAVE BEEN DESTROYED 

00:01:05.665 --> 00:01:05.932 line:72% align:center
ALL BUT TWO HAVE BEEN DESTROYED 
OR PAINTED O                    

00:01:05.932 --> 00:01:06.199 line:72% align:center
OR PAINTED OVER.                

00:01:06.199 --> 00:01:06.466 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE                    

00:01:06.466 --> 00:01:06.733 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS            

00:01:06.733 --> 00:01:07.000 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS HERE       

00:01:07.000 --> 00:01:07.267 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS HERE IN    

00:01:07.267 --> 00:01:07.534 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS HERE IN    

00:01:07.534 --> 00:01:07.801 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS HERE IN THE

00:01:07.801 --> 00:01:08.068 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS HERE IN THE

00:01:08.068 --> 00:01:08.334 line:72% align:center
OR PAINTED OVER.                
THE ONLY ONE LEFT IS HERE IN THE

00:01:08.334 --> 00:01:08.601 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALL                             

00:01:08.601 --> 00:01:08.868 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY                           

00:01:08.868 --> 00:01:09.135 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY                           

00:01:09.135 --> 00:01:09.402 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY                           

00:01:09.402 --> 00:01:09.669 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY                           

00:01:09.669 --> 00:01:09.936 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY                           

00:01:09.936 --> 00:01:10.203 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY                           

00:01:10.203 --> 00:01:10.470 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BE                        

00:01:10.470 --> 00:01:10.737 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A                  

00:01:10.737 --> 00:01:11.004 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A F                

00:01:11.004 --> 00:01:11.271 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A FENCE,           

00:01:11.271 --> 00:01:11.538 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A FENCE, BES       

00:01:11.538 --> 00:01:11.805 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A FENCE, BESIDE A  

00:01:11.805 --> 00:01:12.072 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A FENCE, BESIDE A  

00:01:12.072 --> 00:01:12.338 line:72% align:center
THE ONLY ONE LEFT IS HERE IN THE
ALLEY BESIDE A FENCE, BESIDE A  

00:01:12.338 --> 00:01:12.605 line:72% align:center
ALLEY BESIDE A FENCE, BESIDE A  
PORTA                           

00:01:12.605 --> 00:01:12.872 line:72% align:center
ALLEY BESIDE A FENCE, BESIDE A  
PORTABLE TOILET AN              

00:01:12.872 --> 00:01:13.139 line:72% align:center
ALLEY BESIDE A FENCE, BESIDE A  
PORTABLE TOILET AND PROTECTED   

00:01:13.139 --> 00:01:13.406 line:72% align:center
ALLEY BESIDE A FENCE, BESIDE A  
PORTABLE TOILET AND PROTECTED BY

00:01:13.406 --> 00:01:13.673 line:72% align:center
ALLEY BESIDE A FENCE, BESIDE A  
PORTABLE TOILET AND PROTECTED BY

00:01:13.673 --> 00:01:13.940 line:72% align:center
ALLEY BESIDE A FENCE, BESIDE A  
PORTABLE TOILET AND PROTECTED BY

00:01:13.940 --> 00:01:14.207 line:72% align:center
PORTABLE TOILET AND PROTECTED BY
PLEXI                           

00:01:14.207 --> 00:01:14.474 line:72% align:center
PLEXIGLAS.                      

00:01:14.474 --> 00:01:14.741 line:72% align:center
PLEXIGLAS.                      
NOW THIS P                      

00:01:14.741 --> 00:01:15.008 line:72% align:center
PLEXIGLAS.                      
NOW THIS PIECE WILL BE          

00:01:15.008 --> 00:01:15.275 line:72% align:center
PLEXIGLAS.                      
NOW THIS PIECE WILL BE ON       

00:01:15.275 --> 00:01:15.542 line:72% align:center
NOW THIS PIECE WILL BE ON       

00:01:15.542 --> 00:01:15.809 line:72% align:center
NOW THIS PIECE WILL BE ON       
PERMANENT                       

00:01:15.809 --> 00:01:16.076 line:72% align:center
NOW THIS PIECE WILL BE ON       
PERMANENT DISPLAY AS            

00:01:16.076 --> 00:01:16.342 line:72% align:center
NOW THIS PIECE WILL BE ON       
PERMANENT DISPLAY AS PART       

00:01:16.342 --> 00:01:16.609 line:72% align:center
NOW THIS PIECE WILL BE ON       
PERMANENT DISPLAY AS PART OF A, 

00:01:16.609 --> 00:01:16.876 line:72% align:center
NOW THIS PIECE WILL BE ON       
PERMANENT DISPLAY AS PART OF A, 

00:01:16.876 --> 00:01:17.143 line:72% align:center
NOW THIS PIECE WILL BE ON       
PERMANENT DISPLAY AS PART OF A, 

00:01:17.143 --> 00:01:17.410 line:72% align:center
PERMANENT DISPLAY AS PART OF A, 
LAKER                           

00:01:17.410 --> 00:01:17.677 line:72% align:center
PERMANENT DISPLAY AS PART OF A, 
LAKER INDOOR I                  

00:01:17.677 --> 00:01:17.944 line:72% align:center
PERMANENT DISPLAY AS PART OF A, 
LAKER INDOOR INSTALLA           

00:01:17.944 --> 00:01:18.211 line:72% align:center
PERMANENT DISPLAY AS PART OF A, 
LAKER INDOOR INSTALLATION.      

00:01:18.211 --> 00:01:18.478 line:72% align:center
LAKER INDOOR INSTALLATION.      
>>                              

00:01:18.478 --> 00:01:18.745 line:72% align:center
LAKER INDOOR INSTALLATION.      
>> WE HAVE NO                   

00:01:18.745 --> 00:01:19.012 line:72% align:center
LAKER INDOOR INSTALLATION.      
>> WE HAVE NO IDEA              

00:01:19.012 --> 00:01:19.279 line:72% align:center
LAKER INDOOR INSTALLATION.      
>> WE HAVE NO IDEA WHAT BANKSY'S

00:01:19.279 --> 00:01:19.546 line:72% align:center
>> WE HAVE NO IDEA WHAT BANKSY'S

00:01:19.546 --> 00:01:19.813 line:72% align:center
>> WE HAVE NO IDEA WHAT BANKSY'S
GOING TO                        

00:01:19.813 --> 00:01:20.080 line:72% align:center
>> WE HAVE NO IDEA WHAT BANKSY'S
GOING TO -- HOW                 

00:01:20.080 --> 00:01:20.346 line:72% align:center
>> WE HAVE NO IDEA WHAT BANKSY'S
GOING TO -- HOW HE'S            

00:01:20.346 --> 00:01:20.613 line:72% align:center
>> WE HAVE NO IDEA WHAT BANKSY'S
GOING TO -- HOW HE'S GOING      

00:01:20.613 --> 00:01:20.880 line:72% align:center
>> WE HAVE NO IDEA WHAT BANKSY'S
GOING TO -- HOW HE'S GOING TO   

00:01:20.880 --> 00:01:21.147 line:72% align:center
GOING TO -- HOW HE'S GOING TO   

00:01:21.147 --> 00:01:21.414 line:72% align:center
GOING TO -- HOW HE'S GOING TO   
REACT TO TH                     

00:01:21.414 --> 00:01:21.681 line:72% align:center
GOING TO -- HOW HE'S GOING TO   
REACT TO THIS.                  

00:01:21.681 --> 00:01:21.948 line:72% align:center
REACT TO THIS.                  
>> Rep                          

00:01:21.948 --> 00:01:22.215 line:72% align:center
REACT TO THIS.                  
>> Reporter: ODDS               

00:01:22.215 --> 00:01:22.482 line:72% align:center
REACT TO THIS.                  
>> Reporter: ODDS ARE HE        

00:01:22.482 --> 00:01:22.749 line:72% align:center
REACT TO THIS.                  
>> Reporter: ODDS ARE HE        

00:01:22.749 --> 00:01:23.016 line:72% align:center
>> Reporter: ODDS ARE HE        
WO                              

00:01:23.016 --> 00:01:23.283 line:72% align:center
WON'T.                          

00:01:23.283 --> 00:01:23.550 line:72% align:center
WON'T.                          
THE NOTORIO                     

00:01:23.550 --> 00:01:23.817 line:72% align:center
WON'T.                          
THE NOTORIOUSLY PRIVAT          

00:01:23.817 --> 00:01:24.084 line:72% align:center
WON'T.                          
THE NOTORIOUSLY PRIVATE AR      

00:01:24.084 --> 00:01:24.350 line:72% align:center
WON'T.                          
THE NOTORIOUSLY PRIVATE ARTIST  

00:01:24.350 --> 00:01:24.617 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  

00:01:24.617 --> 00:01:24.884 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT                       

00:01:24.884 --> 00:01:25.151 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO                    

00:01:25.151 --> 00:01:25.418 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO COM                

00:01:25.418 --> 00:01:25.685 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO COMMENT ON         

00:01:25.685 --> 00:01:25.952 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO COMMENT ON HIS     

00:01:25.952 --> 00:01:26.219 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO COMMENT ON HIS A   

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THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO COMMENT ON HIS ART,

00:01:26.486 --> 00:01:26.753 line:72% align:center
THE NOTORIOUSLY PRIVATE ARTIST  
TENDS NOT TO COMMENT ON HIS ART,

00:01:26.753 --> 00:01:27.020 line:72% align:center
TENDS NOT TO COMMENT ON HIS ART,

00:01:27.020 --> 00:01:27.287 line:72% align:center
TENDS NOT TO COMMENT ON HIS ART,
LETTING THE                     

00:01:27.287 --> 00:01:27.554 line:72% align:center
TENDS NOT TO COMMENT ON HIS ART,
LETTING THE WORK                

00:01:27.554 --> 00:01:27.821 line:72% align:center
TENDS NOT TO COMMENT ON HIS ART,
LETTING THE WORK SPEAK FOR      

00:01:27.821 --> 00:01:28.088 line:72% align:center
TENDS NOT TO COMMENT ON HIS ART,
LETTING THE WORK SPEAK FOR      

00:01:28.088 --> 00:01:28.354 line:72% align:center
TENDS NOT TO COMMENT ON HIS ART,
LETTING THE WORK SPEAK FOR      

00:01:28.354 --> 00:01:28.621 line:72% align:center
LETTING THE WORK SPEAK FOR      
IT                              

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LETTING THE WORK SPEAK FOR      
ITSELF, A WORK                  

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LETTING THE WORK SPEAK FOR      
ITSELF, A WORK THAT             

00:01:29.155 --> 00:01:29.422 line:72% align:center
LETTING THE WORK SPEAK FOR      
ITSELF, A WORK THAT CAN         

00:01:29.422 --> 00:01:29.689 line:72% align:center
LETTING THE WORK SPEAK FOR      
ITSELF, A WORK THAT CAN NOW BE  

00:01:29.689 --> 00:01:29.956 line:72% align:center
LETTING THE WORK SPEAK FOR      
ITSELF, A WORK THAT CAN NOW BE  

00:01:29.956 --> 00:01:30.223 line:72% align:center
LETTING THE WORK SPEAK FOR      
ITSELF, A WORK THAT CAN NOW BE  

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ITSELF, A WORK THAT CAN NOW BE  

00:01:30.490 --> 00:01:30.757 line:72% align:center
ITSELF, A WORK THAT CAN NOW BE  
ENJOYED                         

00:01:30.757 --> 00:01:31.024 line:72% align:center
ITSELF, A WORK THAT CAN NOW BE  
ENJOYED BY THOUSAND             

00:01:31.024 --> 00:01:31.291 line:72% align:center
ITSELF, A WORK THAT CAN NOW BE  
ENJOYED BY THOUSANDS OF PEOP    

00:01:31.291 --> 00:01:31.558 line:72% align:center
ITSELF, A WORK THAT CAN NOW BE  
ENJOYED BY THOUSANDS OF PEOPLE  

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ENJOYED BY THOUSANDS OF PEOPLE  
EVERY                           

00:01:31.825 --> 00:01:32.092 line:72% align:center
ENJOYED BY THOUSANDS OF PEOPLE  
EVERY DAY.                      

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EVERY DAY.                      

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EVERY DAY.                      
>> I THINK I                    

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EVERY DAY.                      
>> I THINK IT'LL BE A           

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EVERY DAY.                      
>> I THINK IT'LL BE A NICE      

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EVERY DAY.                      
>> I THINK IT'LL BE A NICE PIECE

00:01:33.426 --> 00:01:33.693 line:72% align:center
>> I THINK IT'LL BE A NICE PIECE

00:01:33.693 --> 00:01:33.960 line:72% align:center
>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'R                      

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>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'RE WALK                

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>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'RE WALKING TO          

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>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'RE WALKING TO WORK,    

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>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'RE WALKING TO WORK,    

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>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'RE WALKING TO WORK,    

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>> I THINK IT'LL BE A NICE PIECE
WHEN YOU'RE WALKING TO WORK,    

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WHEN YOU'RE WALKING TO WORK,    
WAL                             

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WHEN YOU'RE WALKING TO WORK,    
WALKING                         

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WHEN YOU'RE WALKING TO WORK,    
WALKING H                       

00:01:36.362 --> 00:01:36.629 line:72% align:center
WHEN YOU'RE WALKING TO WORK,    
WALKING HOME,                   

00:01:36.629 --> 00:01:36.896 line:72% align:center
WHEN YOU'RE WALKING TO WORK,    
WALKING HOME,                   

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WHEN YOU'RE WALKING TO WORK,    
WALKING HOME, EVERY             

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WHEN YOU'RE WALKING TO WORK,    
WALKING HOME, EVERYONE'S        

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WHEN YOU'RE WALKING TO WORK,    
WALKING HOME, EVERYONE'S IN A   

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WHEN YOU'RE WALKING TO WORK,    
WALKING HOME, EVERYONE'S IN A   

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WHEN YOU'RE WALKING TO WORK,    
WALKING HOME, EVERYONE'S IN A   

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WALKING HOME, EVERYONE'S IN A   
RUSH,